Ashita no Anime

Anime of Tomorrow

Tag Archives: Kawada Mami

Jormungand (ongoing)

Impression – high-impact action with just the right amount of comic relief

Spring and autumn 2012 (more info / part 2)

When I watched the first episode of Jormungand, I had the impression that this anime was going to be like a darker version of Full Metal Panic without mecha and I was spot on.  Combining a varied and likeable cast of mercenaries with a charismatic female lead that you would willingly die for, one boy soldier who is coming out of the shell of his rocky past along with some intense, well-orchestrated action sequences, you have a recipe for something really cool.  Whether it’s making you laugh with some cleverly-written dark humor, leaving you hanging on Koko’s every saucy comment or holding your breath waiting to see if the gang is going to be able to come out of their current predicament, this series is pretty darned awesome.

Unfortunately, I’m balancing this enthusiasm with the fact that Jormungand is currently in that nebulous zone of still waiting to finish—but what I’ve seen so far has impressed me.  Other recent anime in this category include the disappointing Fate/Zero which wrapped up last season and Rinne no Lagrange, which has resumed this summer to my delight.

So far this current fad in story pacing that’s been making us wait three months to see the conclusion to series that we already know from the outset that they are going to run longer than one season has been giving me a bit of a headache.  I suppose it’s better than waiting years for a sequel, but I still can’t help but feel it exudes a lack of ambition, confidence and preparation.  At the risk of sounding greedy, impatient and spoiled—even if a season-long break gives the creators more time to make sure they get things right, it hardly seems to matter when glittering diamonds like Madoka Magica are getting rushed to the airwaves just under the wire.  Here’s hoping the creators of Jormungand genuinely took the time to make it perfect and the second half turns out even better than the first.


Please Teacher! (review)

Impression – priority-one bad (3/10)

Winter 2002 (12 episodes)

Kei Kusanagi is a high school student who was affected by a strange disorder that literally stopped his time a few years ago.  Falling into a coma-like state, he didn’t even age as the rest of the world passed him by.  Mizuho Kazami is an alien who is on a mission to conduct field research by posing as a teacher at his rural high school. When Kei inadvertently discovers the truth about her, he is forced to marry her to cover up the misleading circumstances that lead to her mistake and to ensure that he keeps her secret from the rest of the world.  What follows is the tenuous relationship between the two of them that slowly evolves into an awkward romance.

I’ve heard people call this anime a classic—a throwback to an older time when anime was younger and simpler.  I think these people have some pretty big nostalgia blinders on because not only has Please Teacher aged very poorly by every metric you could think of, it doesn’t even compare very favorably to other anime of its own era. This is a romance anime that makes Love Hina look like it was written by Shakespeare.

Most anime that are bad come right out and own up to their awfulness in a way that lets you know it was created with the intention of just having fun and providing something brainless for you to kill segments of your life in twenty-three minute packets.  But I’m having trouble thinking of another anime that is bad in the same way as Please Teacher because it has a tone of seriousness that gives the impression that its creators actually believed they were making something deep and worthwhile.  It throws around stereotypical tropes such as the alien girlfriend, unexplained supernatural tragedies affecting the lives of the main characters, a romantic rivalry with a childhood friend and a spineless male protagonist that manages to barely grow a little cartilage by the end of the series.  Traps bad romance anime still fall into even to this day.

If that wasn’t bad enough the voice actors sound less enthusiastic than the intentional bad-acting in Adventures of Mikuru Asahina (the purposefully amateurish first episode of The Melancholy of Haruhi Suzumiya) and Mizuho and her mother and sister have this overused one-liner that wears you out like you’re reading a glossy cardboard-paged picturebook to a one-year-old.  The only good I can possibly think coming out of this anime was the result of popularizing Pocky in America, but that’s no reason to give this series the venerated status of a genre-defining work.

Personally, I’d very much like to get back the time I wasted watching and rewatching this series in order to recall all the references Ano Natsu makes to Please Teacher (as it turns out, not that many).  My recommendation?  Only watch this series if you’re really, REALLY interested in the small amount of trivia that ties it together with the vastly superior Ano Natsu or if you want to experience a piece of anime history that is  probably worth forgetting.

Shakugan no Shana III Final (review)

Impression – the end of a legend that unfortunately, may not endure (8/10)

Fall 2011 to winter 2012 (24 episodes) (title literal translation – Shana of Burning Eyes, English synonym – Shana the Fire-Eyed)

After Yuji recovered Reiji Maigo from Bal Masque he, Shana and Kazumi resumed their Christmas Eve. It was to be Yuji’s responsibility to choose between the two girls in order to settle their rivalry in romance once and for all. But something happened that neither of his wooing ladies expected. Yuji just disappeared. It was as if his existence as a torch had been snuffed out as all of his possessions and remnants of him through the memories of others simply vanished. But Shana sensed that he still existed…somewhere. So they had no choice but to resume their lives as best they could and wait for his return.

For all of you who were put off by Shana II much more than I was, let me start by saying that Shana III is undeniably better. Gone is the love triangle between Yuji, Shana and Kazumi…as well as pretty much everything else to do with school life in general. It’s back to the much more action-packed style we saw in the first season that favors story progression. Please do try to ignore the first three or so recap episodes that start Shana III in a pitiful attempt to get new viewers up to speed. Rest assured that the old format is finally back, but it’s much colder and calculated—fitting of two worlds on the brink of war.

Although it tries its best to bring back everything that made season 1 awesome, there are a lot of new problems in Shana III that just can’t be overlooked. The most difficult for me to grudgingly accept was probably unavoidable because of where the story needs to go—the ever-expanding cast that seems to grow by about five characters each episode for the first half of the series. It gets really hard to keep track of names and loyalties after a while, especially when they only get about a thirty second introduction and then reappear a few episodes later to finish the tasks they’ve been given—major, plot-altering assignments at that. Occasionally, I had to just sit back and let them do their thing and most of them are so poorly characterized their presence hardly seems necessary.

Yes, I understand that this is war and there’s a hierarchy of commander and subordinates all playing their part in the big picture that needs to be established. But a lot of this is fine details that I feel could have been done without. It leads to getting things spread too thin and I wish Shana and Yuji could have had a stronger presence. Either that, or some of the bigger players should have been allowed a more gradual introduction so we could get to know them better and care about why they’re taking part in this endeavor—even if they’re just going to die in a few episodes. At least then it wouldn’t have felt like such a waste.

But as I said in my Shana II review, the amount of dead time back in the second season starts to show very clearly in the third because so much material is getting crammed in to make a mad rush to the conclusion. So while Shana II was painfully slow, Shana III has the exact opposite problem of being almost too fast to keep up.

But there’s a lot of high points, too. The psychological attributes of season 1 that had been mostly absent in season 2 have made a strong comeback. It’s also managed to up the ante from Shana I and push the limits a lot higher. Shana I simply dealt with the nature of existence on a very platonic level. But Shana III addresses a deeper theme in the purpose of existence. There are some very strong concepts dealing with loss of direction in one’s life as everything you devoted yourself to becomes irrelevant and a future full of nothing but aimless emptiness is all that waits after several lifetimes devoted to a single-minded cause that has suddenly disappeared. But if freed from this burden, there is also a chance to discover a new, greater cause if you manage to not despair and broaden your focus to look at the big picture.

One thing that has always endured through the Shana story is the very clear understanding that the Crimson Denizens are not all evil. Just as you wouldn’t call a lion evil for killing a zebra, the bad guys have always been simply acting on their nature, even if at times the terms excess and greed could be applied to their methods. Particularly in Shana III we are given a difficult-to-handle dilemma of just who is actually on the right side during this war—the Denizens attempting to achieve their own, personal paradise or the Flame Hazes who zealously deem such a paradise nothing but a dangerous delusion.

The ending manages to find a compromise between these two extremes, but it doesn’t feel half-hearted or conciliatory. It instead goes for a tone of understanding and inevitability even if that isn’t something that adequately ties up every loose end. And as much as I like the characters of Shana and Yuji as separate entities, the two could have avoided a lot of pain and suffering they inflicted on each other unnecessarily if they had just sat down and talked things through honestly, which is a sad little detail that undermines a lot of the dramatic strife of this series.

I’ll say it again, Shana III is better than Shana II because it takes a lot of cues from Shana I, making itself into a nice wrap-up to a really great franchise. The battles are suitably epic in the smart, well-composed flow that is a hallmark of the action sequences in the Shana series. It’s let down by a few writing and pacing problems, but overall is a solid and thought-provoking anime.

Shakugan no Shana II Second (review)

Impression – an epic fumble that does manage to recover a little (7/10)

Fall 2007 to winter 2008 (24 episodes) (title literal translation – Shana of Burning Eyes, English synonym – Shana the Fire-Eyed)

Picking up right where Shana I left off Yuji, Shana and Kazumi are confronted by a new classmate whose appearance so closely resembles Hecate—a powerful Crimson Lord they recently faced—that it goes beyond mere coincidence.  However, after their suspicions turn out to be unfounded, Fumina Konoe is found to be a rather nice, if simple-minded girl from a wealthy family who needs a friend.  Much to the dismay of Shana and Kazumi she attaches herself to Yuji and the four friends indulge in enjoying the summertime youth of their first year in high school.  But a few other strange occurrences surrounding Fumina keep them on edge and only time will reveal her true nature.

After such a spectacular first season, it was always going to be hard for a sequel to live up to that kind of quality, but to fall this far was truly sad.  It goes from a psychological, action series with romance elements to a low-key aimless high school drama (at least for the first half).  Season one dealt with big issues such as the nature of existence and season two’s change of tone is so jarring it doesn’t even feel like the same anime anymore.  The characters have also taken on such a wishy-washy passive-aggressive attitude it’s hard to believe the half-baked romantic rivalries that dominate much of this second season.  It’s clear that Yuji wants to be with Shana, but combined with his gentle nature and Kazumi’s home wrecker attitude that just won’t let him go, there’s no shortage of frustration in the direction of the plot.  And if this love triangle that’s already been well established wasn’t bad enough, Hecate’s way-to-obvious clone Fumina Konoe turns the triangle into a pyramid with the all-too-trusty Yuji being exploited left and right because he can’t find his backbone.

The second half of this series does manage to head back in the right direction and attempts to recapture the spirit of its predecessor, but by then it’s really nothing more than a simple matter of too little too late.  To its credit, the ending is spectacular; crowned by an epic battle that really satisfies with its brilliantly constructed flow and amazingly intelligent strategy as characters on both sides take advantage of the changing battlefield.  Also satisfactory is the final scene that, while a bit of a cliffhanger, at least gives the distinct impression that the indecisive romance that plagued the rest of this season has finally come to an end.

The most telling failing of the second season really gets revealed in the third season because it highlights how little actually happened in Shana II, making everything feel empty and futile.  What was the purpose of this series in the grand picture of the whole Shana franchise?  If it was to establish Shana as Yuji’s official love interest, we pretty much already figured that at the end of season one.  The cool, insightful Yuji of the previous season who was Shana’s greatest pillar of support also stagnates horribly—making him into a football that the characters good and bad pass around and occasionally punt to satisfy their own objectives.

All this negativity could easily be misinterpreted that Shana II is a bad anime, when it is absolutely nothing of the sort.  It’s just…well…a little above average…and that makes it pale in comparison to the awesomeness that was Shana I.  It’s really just an unacceptable fall from grace that highlights the wasted potential that deserved much better than this.

Jormungand Ep. 1

"Her name is Koko, she is loco."

Initial impression – risky, clever and auspicious

Spring 2012 (12 episodes) (more info)

I really like the sharp attitude of Jormungand.  It makes me think of a grittier version of Full Metal Panic.  There are even a lot of superficial similarities that can be drawn between the characters of both series—especially child soldiers Jonah and Sousuke.  Also, the incongruent premise of an arms dealer who claims to be working for world peace is so intriguing that I could get hooked on this series by that trait in and of itself.

But this anime also has a smirkingly dark sense of humor that fits perfectly with the steely realism that permeates everything else.  I suppose it would be most appropriate to call this a model of exemplarily well-timed comic relief.  It’s nice to see that while Jormungand may have an air of serious intensity it’s fully capable of having some good-natured fun that is complementary rather than at odds with the main story.  It has some smartly constructed action sequences with the correct sense of occasion, timing, setting and strategy, all supported by well-written political wrangling that always keeps Koko teetering on the edge of disaster.

The voice actress Shizuka Itou (which fans of Amagami SS will recognize as Haruka Morishima) was the perfect choice to depict Koko’s fun and quirky personality as she revels in the thrill of constantly cheating death.  The beginning of Jormungand has me pumped and I can’t wait to see more of how Koko plans to accomplish her goals.

But what do you think?  There are a lot of characters in this series that are breaking the stereotypes associated with this military-ish setting.  Is it capable of adding up to more than the sum of its parts like Full Metal Panic was able to?  Or is antihero Koko just too much to handle?

Shakugan no Shana (review)

Final impression – a triumphant beginning (10/10)

Autumn 2005 to winter 2006 (24 episodes + 1 OVA) (title literal translation – Shana of Burning Eyes, English synonym – Shana the Fire-Eyed)

High school has started and Yuji Sakai is already making the most of his youth.  But on his way home one day he steps into a sealed zone that is separated from the normal flow of time.  In here, he is attacked by monsters intent on devouring this strange human who can move within their trap.  But at the last second he is saved by a beautiful girl with flaming red hair; easily overpowering his attackers.  But despite protecting him from the monsters, it turns out Yuji Sakai is already dead.  His existence was eaten by a denizen of the Crimson World some time ago and all that remains of him is a tiny spark that will soon burn out.  He decides to spend his last few days before he disappears in the company of his savior, aiding her in any way that he can before he is gone without a trace.  However, a fortunate turn of events may give him an unexpected reprieve from oblivion.

Shakugan no Shana is a spectacular story.  It starts with the initial, horrifying concept of the enemies of humanity consuming people’s very existence as energy, leaving nothing behind to remember them by.  It’s a feeling of hopelessness and helplessness that is dramatically mitigated by Yuji’s ability to keep a positive attitude about the whole situation.  He never despairs and is always thinking about how he can best make use of his limited potential.  It’s a testament to the tremendous strength of character people can exhibit when cornered by the most trying circumstances.  The series expands on its intellectual, action-filled beginning and moves into a more romantic theme as the steely Shana realizes that she’s not an emotionless killing machine and her feelings for Yuji go beyond mere camaraderie.  Even the final battle is more than it superficially appears to be because the plot never misses a chance to include a thought-provoking discussion about the characters’ inner motives.  And then to top of the amazing writing is the gorgeous art style of Ito Noizi and excellent music courtesy of Mami Kawada, KOTOKO and several other bands and singers who knew just the right style to set the mood for this epic series.  In short, the first season of Shakugan no Shana struck a perfect balance between fighting, philosophy, artistic tone and romance to create an amazingly profound first season.